When I talk about my father and when I write stories about him, I chose my words carefully. His is a story of redemption. The success of that redemption depends on who you ask. My… More
I have been in that space between heaven and a traffic jam lately. With the new gig, trying to find time to write since the Submission Saturday last month has been a bit difficult. Finding my rhythm is has been harder than I thought and I’m still working on it. Between grading, prepping classes, and trying to finish Jennie AND that project I told you about a couple of months ago, it’s all been overwhelming.
However, thank GOODNESS for Tintero Projects writing workshops this month! Each Sunday this month the organization, founded by my good friends Jasminne and Lupe Mendez, is hosting a writing workshop in different disciplines under the theme “Thrill You”. So by disciplines, I mean short fiction, poetry, playwriting, long form fiction, etc.
On Sunday, I attended the poetry workshop. I’ve been writing a lot of poetry lately and even submitted some to publications. So I was interested in this workshop. (Last week’s was short fiction. Shout out to Hugo for leading that workshop.)
We worked on Blackout Poetry, a type of found poem that allows writers to create a new piece from an existing writing by blackout words and phrases they won’t use. Lupe, who lead the workshop, is in a middle of an amazing project and he’s using blackout poetry to tell such an interesting story through poetry. (I’m sure he’d rather tell you himself than me spilling the beans so I’ll invite him to the blog.)
Here’s a video on how to do it.
I’ve worked on Blackout Poetry before as part of a Writers In the School training session. At first, I found the form just weird. I wasn’t sure that the poetry I was doing in this technique was, for lack of a better word, right. But trying it again during the workshop, it felt more focused. I was pretty proud of the work I did that I’m thinking about working on it and submitting it.
Here’s some basic rules for creating a black out poem, according to Lupe:
- Find whatever words make sense for you
- Your marker is your friend ( You can take off the ending of words like -ing and -ed to help you out.)
- You can black out as little or as much as you think is necessary
- You can change the punctuation — add or subtract it.
Here’s one that I worked on when I got home.
I’ll be leading the Oct. 23 workshop focusing on thrilling super heroes and villains. If you’re in the Houston area, coming join in!
Enjoy the writing,
Happy Hispanic Heritage Month! Yes, it’s the time of year where we celebrate the contributions of Latinos and Hispanics (for some there is a difference). It’s also a time to celebrate the independence day of many Latin American countries. In the next month, several countries will celebrate their independence day including my own fellow Chapines of Guatemala! (El Salvador, Honduras, and Costa Rica are the others who celebrate today. Tomorrow Mexico celebrates.)
So when I came across book tuber My Name is Marines, who created a list of books she’ll be reading in celebration (#hispanicheritagereads), I was down! Love this idea.
I’ll be celebrating as well. My list won’t be as long as hers but I can at least give suggestions of some reads. Ironically, some of the authors listed below are my friends so, you know how it goes when you’re a writer and you’re the LAST person to publish a book.
My shame is real guys. So real.
Also, I wanted to pick books by Latino authors you may not have readily heard of. I wanted this to be an opportunity to give some exposure to some fellow Latino writers who also deserve some light on their amazing work.
Okay, here we go. Let’s start with…
Short stories or short story collections
I am teaching House Made of Sugar to my English composition class. I have been for about a year and each time I teach it my students fall in love with it. I fall deeper in love with it. It’s about superstitions, love, marriage, and lies. That’s the simplified version of this story, which doesn’t do it justice but hopefully, it’s enough to make you want to read this story, which you can read for free at Longreads.
The story is part of Silvina Ocampo’s collection Thus Were Their Faces. I haven’t purchased it yet but I’m excited to add this to my collection.
Another short story collection that I so want to check out is Daniel Jose Older’s Salsa Nocturna: Stories. Here’s what Goodreads has to say about the collection.
A 300 year-old story collector enlists the help of the computer hacker next door to save her dying sister. A half-resurrected cleanup man for Death’s sprawling bureaucracy faces a phantom pachyderm, doll-collecting sorceresses, and his own ghoulish bosses. Gordo, the old Cubano that watches over the graveyards and sleeping children of Brooklyn, stirs and lights another Malaguena. Down the midnight streets of New York, a whole invisible universe churns to life in Daniel Jose Older’s debut collection of ghost noir.”
Ghost, ghouls, and noir? I’m there. I saw on Amazon that this has been re-issued with two new stories and that fits the timeline of his Bone Street Rumba series. So I’m interested to read this, especially since I’m not familiar with the series. However, I am familiar with another novel he’s written that’s turning into a series, which is…
Shadowshaper! I can NOT accurately tell you how much I LOVED this book. I don’t read YA usually so I didn’t know what to expect when I picked it up. Just decided to read it since I’m one of his Twitter followers. And WOW! This book is an adventure that involves a family secret, murals, paintings, and the battle to save the world.
What I LOVE about this book is how Older treats Afro-Latinidad in this book. I saw myself as a young girl and I never see my youth reflected back to me in books ever. This made me love it even more.
Recently, this book won the Best Young Adult Fiction category in the International Latino Book Awards.
Island of Dreams written by my awesome, amazing friend Jasminne Mendez. She won the Best Young Adult Latino Focused Book category in the International Latino Book Awards in 2015. This is her memoir told through poetry and short stories. She’s dealing with some big things here — identity, family, self-discovery, assimilation, as being Dominican in America (which is easier said than done sometimes). One of my favorite poems is about her grandfather and everything she knows and doesn’t know about him. Heartbreaking. Real. It be like that sometimes.
I’m not a poetry person. I’ll read it but it doesn’t hit me like fiction or non-fiction does because I’m a prose person. However, I do enjoy reading outside my comfort zone sometimes.
Leslie Contreras Schwartz’s Fuego is on my list to pick up. Yes, another one of my friends. I’ve heard some of her pieces in this collection and I enjoyed them. When I think of her poetry, what I’ve heard so far, I think of a snapshot of survival and the price of motherhood.
Her collection is on my list and I can’t wait to dive in. And since she’s a friend of mine, I’m sure that I’ll be asking her questions.
From the bed of the hospital, to the classroom of fourth-grade refugees, or the icy waters being swum by a long-distance swimmer, Fuego is a book that explores the extraordinary in the ordinary, the body as a surreal form of existence. At the core of the book is the theme of survival and the awe at being able to survive, and the glory of being ordinary and alive. In this debut poetry collection, Fuego explores the failure and blessing of childhood, the surrealism of birth and motherhood, and the estrangement of the body from itself and others.
Hanging Upside Down is what’s on my nightstand right now. My friend Anthony Otero (who will be on the blog soon) self-published this book and also the follow-up, Book of Isabel. I may be biased (I am) but it probably should have been picked up by one of the major publishers. Otero protagonist, Luis, gets into one bad situation after another and most times without even trying. Women are his downfall and his salvation…sometimes.
I’m in the middle of reading this one and want to get into Book of Isabel, the follow-up, soon.
Well, there you go. That’s just a quick snippet. There are definitely more books to explore and more authors but this should get you started. And yes, I haven’t added non-fiction yet to this list. That list will be coming soon. Perhaps later on in the month. We’ll see.
What a wonderful way to spend a Saturday afternoon!
The national organization, Women Who Submit, organized a national Submission Blitz on Saturday. Blitz as in everyone get in Formation and submit your stuff. Stop playing.
And I got in Formation — seven times. I submitted to seven publications and I’m actually eyeing two more that I’ll submit to in the next week. By far this is the most I’ve submitted in one month. My goal from the beginning of the year was to submit to three publications each month. So far I’ve been doing that except for the past two months (post coming up on that.) So I’ve definitely more than made up for the lack of submissions the past couple of months.
— Tintero Projects (@TinteroProject) September 10, 2016
But here’s the awesome thing about the blitz, at least in Houston…the ladies who showed up to blitz were all women of color. All of us worked on our pieces and submitted them to places that, truth by told, weren’t ready for us. We had an opportunity here to really embrace the writing life, the scary part, the part where we expose our vulnerable underbellies to the world.
For me, it was empowering and a bit scary because this fiction writer submitted creative non-fiction and poetry for the first time. I’ve been working on Jennie so long that I hadn’t written any short stories. For the first time, my submissions did not include fiction.
So we’ll see what happens. I can say that I received one rejection on blitz day but that was a submission from a couple of months ago. I hope that’s not a sign.
So here’s what I learned about submissions to lit journals during the blitz:
1) Have a bio ready
It’s interesting how many journals ask that you submit a short bio along with your piece. I was actually surprised. Thankfully, I had something already written up that I could edit quickly but some of my fellow writers didn’t and they had to write one on the fly. That’s not an easy thing if your brain is already in submit mode and not in composing mode. Do yourself a favor. Write a short bio that you could use whenever you need. It can also be the last paragraph in your cover letter.
Talking about cover letters…
2) Learn to write a cover letter on the fly
This one kinda drove me nuts. All of my submissions required a cover letter, which is odd since there is a debate on whether lit journals actually read them. Some want to be seduced by a cover letter. Others just go straight for the entry.
Yeah, it’s a thing.
So, I defaulted to this little piece of advice for writing one. Basically, it shouldn’t take long to write one but there are some things you should follow, other than your basic grammar rules.
3) Be brave
So, I submitted to Tin House. THE Tin House. When I woke up Saturday morning that wasn’t something that I thought I’d be doing but there it was.
Sometimes, you just gotta be brave and hit submit. What’s the worst that can happen? Someone is going to say no to your poems? A no is better than a nothing, which is what you hear when you don’t submit. So be brave and hit the button already. You never know.
4) Love exporting into Word docs
My love for Scrivener knows no bounds. I heart that writing program so much I purchased it for every writing machine I’ve ever owned. My favorite thing is using the export button when I’m going to submit. Literally, it converts it to a Word doc and all I have to do it type the title in and give it a once over.
Seriously, I highly recommend Scrivener. And there’s a new iOS version I’m currently playing with.
5) It’s always better when you make it into a party
The best part of the submission blitz hands down was being among kindred spirits. We literally cheered each other on as we submitted our pieces. We could bounce ideas off each other. When one of us had a question, another person could answer it. And, of course, food and drink. Everything is better with food and drink.
— IcessFernandezRojas (@Icess) September 10, 2016
Would I do this again? You bet I would and I hope that the organization plans another blitz and that more women and women of color submit our incredibly important and needed work out to the world.
Write (and submit) on!
Good Sunday morning! I hope you’re doing well and that the writing is flowing as well as the coffee and that you’re doing the work you’ve always wanted to do.
It’s been a busy week for me and this upcoming week will be even busier. But I wanted to share this essay with you from my friend Vanessa Martir’s website, Digging into Memory. She is an essayist, poet, fiction writer, and all around badass. This year, she’s pledged to write an essay a week and man, she is sticking to it! Great job, Vanessa!
This particular essay I’m sharing from her series has so many truth bombs. Love me a good truth bomb. The first sentence alone drips with truth and feeling. Here’s another section that jolted some truth in me, when she talked to writer Chris Abani about self-care:
“Then he got serious and said that I will come up with ways to take care of myself, like the boxing I was doing at that time and my walks in the forest. But there will come a time when those things won’t work and I will have to reinvent my methods of self-care. ‘You will always have to reinvent those ways, Vanessa.'”
I haven’t written much about self-care on this site but I’ve hinted at it. (This will be something I’ll be correcting real soon.) Part of the writer’s life is to dig deep with your work (yes, even genre writers have to do this. Especially genre writers, I’d say.)
Sometimes, while digging some emotions/feelings/thoughts bubble up that you don’t want to deal with. We have to pick at the scabs and pour alcohol on them to re-bleed on the page. It isn’t pleasant. It’s not supposed to be. But the craft is empty if it isn’t followed by the emotional work. That’s what makes it authentic.
I’ll write more about this soon. In the meantime, read Vanessa’s essay and her Relentless Files for more truth bombs. Definitely worth the read and the time invested.
Doing the work,
*An essay a week in 2016*
Here’s the thing no one tells you about digging into memory and writing about the ghosts that haunt you: you will have to relive those moments and it will leave you reeling and you will carry that reeling in your chest and you won’t know what to do with it or yourself, and you will snap at people, the people you love most, who hold you when you’re heaving, and you won’t know what to do with that pain so you lash out and you can’t help yourself…in the moment, you will blame those people, say it is them, their nagging, their demands…and only later, when you’ve had time to calm fuck down will you see that it wasn’t them, it was you and your shit coming up…and you will be so fucking sorry but sorry doesn’t heal the pain you already caused…so what…
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I am so excited to be featured on Trevor Boffone’s website today. I love sharing what I’m working on and my thoughts on the writing process but I forgot to add…I’m still working on the Afro Latinos anthology! Yikes! That was my bad.
Hope you enjoy the interview!
Name: Icess Fernandez Rojas
Hometown: Houston, TX – baby!
Residence: North Shore
What is your earliest memory of writing?
The womb, as I was writing my grievances for the tiny room of which I was assigned. I’ve been giving my mom headaches ever since. Ha! It’s part of my charm, she says.
How did you become a writer?
That’s a really hard question. I wrote short stories and things in school and as a hobby (it is no longer a hobby). I always knew I’d write books but I believe that I began learning some of the fundamentals of writing as a journalist. It’s a great training ground for the nitty gritty like writing to a length or word count, writing on deadline, keeping the reader in mind, asking questions of characters (sources). However, I think what launched my writing ahead, really solidified it in my head and brought me…
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Someone recently posed a question to me. When you think about teaching creative writing, what does that mean?
The answer was easy and came to me quickly. This is all about empowerment. Writing, especially creatively, is about being empowered and empowering others.
This is why I love teaching writers. In my career, I’ve taught children, college students, and adults.
And each time I’ve taught, no matter what the age group, something magical happens. Students’ opinion toward writing change and, while they may or may not get into it, they start appreciating it and writing becomes accessible.
For me, English wasn’t always accessible. That’s because another language came off my tongue first. My first language was Spanish. I went to kindergarten not knowing that much English, just whatever I heard on Sesame Street and Mr. Roger’s Neighborhood. I remember a teacher thinking I wasn’t very smart when I first started school. Surprise, surprise, East Harris County in the 80s was not nice to daughters of immigrants. My mom, with her limited English, complained to the point that the teacher was fired.
I was put in ESL classes and had to have extra tutoring in English. My mom would read to me every night in her broken English until I practically memorized books.
And then, in 5th grade, something amazing happened. I skipped a reading level. Now I was one level away from the gifted kids. That’s when I made a promise to myself. I was going to do this English thing — reading and writing — better than the smart kids. If being able to command this language in the written form was seen as a magic trick, I was going to do that magic trick better than anyone else.
By high school, I was in English honors courses and taking AP English classes. For me, writing was empowerment. It meant that I could write and understand the world around me in a way that other people couldn’t. And that meant, if I got really good, I could write my own ticket in life.
Empower: (verb) give (someone) the authority or power to do something.
Fast forward to my first adjunct English class. I started my college teaching career in Louisiana. And in my class, I had students who were parents, adults who worked, folks who returned to college after being gone for awhile. For all of them, English was the subject that they couldn’t pass. They weren’t good at it. I didn’t understand. They grew up speaking this and reading this language, why was it so difficult?
Because no one told them that this space was for them and that they’ve already succeeded just by showing up. No one told them that this is how they make a mark in the world and that these words are just building blocks to create the thoughts in their heads.
No one told them that their voices matter.
And my existence tells them the opposite of what they’ve have been lead to believe. If that’s not empowering, I don’t know what is.
In life, as I’m learning, you get a microphone, a chance to do or say things that help impact the world. The size of the microphone depends on popularity, I’m sure. For example, Beyonce’s mic is bigger and has a longer reach than this website. But this is MY microphone, my change to change the world. While Queen B does it with music and concerts, I do it one student at a time, one word at a time, one class at a time.
When you make something that was formerly non-accessible completely approachable and relatable, you’ve just empowered someone. That’s why I teach writing.
So here’s my new motto: Empower to elevate.
Feeling like She-Ra,
This post right here!
I love it when a great writer posts what I was thinking. Here’s an example. Especially during this election season, stuff like this needs to be said and often.
Last night, as Simone Manuel stood on a podium to be the first black woman to earn an individual gold medal in swimming, NBC decided it was more important to cover Russian gymnastics from several hours before…
Dear racists of America, we are coming for you. Coming for your pools and your balance beams. We’ve already come for your NBA, NFL, National Leagues (yes, Dominicans & Puerto Ricans count). We been done came for your Pulitzer Prize, your Nobel, your White House.
We, people of the African diaspora, have proven that we are some of the baddest folks on land, but now we came to claim air and sea. Watch us fly through the air on the floor, the vault, the uneven bars. Watch us glide through water so fast, even your shit talking about our hair can’t stop us. NBC, you can cut away to something else—
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I have an interesting story to tell.
A good friend told me this the other day and for the first time I believed this of myself. I’ve spent much of my adult life telling other people’s stories, learning and writing about what made them interesting to read for cities in Texas, Kansas, and Louisiana. And finally someone has noticed that my story was at least as interesting as the folks I wrote about.
The person who told me this was my very good friend and a friend to the site, Ashley Northington. She guest blogged on the site over a year ago and gave us some insight to book launching.
So if Ashley says I have a story to tell, then I do. I’ll be telling that during the Dream Fest Digital conference in November. Ashley has invited me to speak to tell my story and I am so thrilled to do so. (More info when the date comes closer, including how you can participate!)
My story isn’t a Cinderella tale, that chick has nothing on me. It’s a story about dreaming, crashing, burning, and stubbornness. It’s about walking through fire, facing your own demons and figuring out how to win against them, even if you can’t. Above all, it’s about survival. Scrappy with a shank in your hair survival.
Sounds interesting? Not as interesting as living it.
I have a couple of weeks to solidify what I will say to the world but what about you? What’s your story?
Writers have the best stories. We just do. It’s kinda our thing. We are the keepers, creators, and tellers of the human condition but, often our stories aren’t told.
That’s why so much of our work is autobiographical. Even fiction writers. (We tend to put everyone we know in a story eventually.) Because even just a sliver of truth belongs to us.
So, I’m asking you, writer…what is your story? Is it also one of survival? Triumph? Pain?
Writer, do you know why I’m really asking these questions? Because I want to know, and I want you to know, the answer to this question:
Why do you write?
Yes, I’m speaking to purpose. Why do you do this? And no, the answer is not just simply because I can’t NOT write. That’s a given. Why. Do. You. Write?
Chris Abani, the amazing writer, had this writing group during a conference a couple of years back. I was in grad school at the time and we shared space with the conference. At lunch, a large group of writers would sit next to me at the table, their eyes like the inside of a watermelon. They were sniffling and some were still crying.
“What’s wrong,” I asked concerned.
“Chris Abani asked us why we write,” one of the said.
“Okay. So what’s wrong with that?”
“It was bullshit. He kept saying bullshit until we finally got down to the real reasons.”
That was scary but damn if I wasn’t jealous. While they all looked like they were drained from the tears, they looked light, liberated from whatever was weighing them down. They looked ready to do the work. Darn straight I was jealous because I wanted to be that liberated, that in touch and in tune with my purpose.
Because purpose is everything. It’s the game AND the game changer. It is the and all stories. You ain’t got purpose, you ain’t story. Period.
Since then, I’ve done my own crying and soul searching and dragging. Last year, I broke down at my own writing workshop. I stopped writing for more than a month. I created space for Afro-Latina writers. I wrote about the darkness, embraced it, gave it a kiss and put it on paper. I flirted with death time and time again and inked my demise. There was more crying and soul searching and soul hearing. And more until there was purpose.
I write because I want my humanity acknowledged. I want to be seen. I want to be heard. I want the world to know I was here and existed and I had something to say.
Note: that doesn’t mean that I am seeking acceptance. That’s not my purpose. It’s nice but not my purpose.
See, that’s why Ashley said I had an interesting story to tell. And I do. Just you wait.
What’s your story, writer? Why do you do this? Why do you write?
For your first answer, whatever that may be, I call bullshit. Try again. Dig deeper. It’s good for you.
Dig, writer. Don’t make me get Chris Abani to come for you.
I’ve been thinking a lot about bravery recently, what it actually means and what it takes to be brave. This bravery thing seems like a simple thing to figure out but I’m not quite so sure.
I’ve been called brave once. About a year ago. See, I did something that most people wish they could and I’ve been fortunate to be able to do. After working in journalism most of my adult life, I walked away from a career and a stable paycheck and decided to start over. All the way over and do what is in my heart to do. That means not taking opportunities unless they fulfill me in some way.
That is why I was called brave.
But is that bravery? That act of drawing a line in the sand and saying, “Here. I want to stop with this ridiculous merry-go-round here.” Is that brave or is that just being fed up?
Listen, I don’t want you walking away from this post thinking that I left the evil mass media. Yes, I have my opinion about what happens inside America’s newsrooms and they are strong opinions, but it was the best gig for a long time. It was a gig that allowed me to go on assignment in Mexico twice. I knew the news before the rest of the city. It allow me to impact the world in a substainal way and for that I’m grateful. But I want more. I want to write and write well and write books. It was kinda my thing for a long time, something I had to keep hidden at times.
This writing thing, this gave me my voice and empowered me to be a journalist in the first place. See that sentence. That’s an important sentence, reader. The order of it is so telling. WRITING came first, not journalism. For some people it’s the other way around.
Yes, I stepped off the merry-go-round a year ago. Not an easy year but I still wouldn’t call myself brave. I didn’t run into a burning building to save a baby. I didn’t fight in a war. I didn’t put on a uniform and swore an oath to protect. I didn’t stare down the barrel of a gun so others wouldn’t. That’s brave. All of that is so much bravery. No, all I did was demand more for myself and my life.
All I did was try to live the life I always wanted.
Actually, when you see it on the screen like that it reads a bit selfish. Who am I to demand that of the universe? To be happy, to live my waking hours doing something I love and to help humanity in that way? That’s selfish! That’s … audacious.
Yes, that’s what I am. I am audacious. I am a high clearance level chingona who defied textbook definitions of things a long time ago. I am a chingona who is learning her lessons from the university of hard knocks with a major in I do what I want. And yes it comes with bumps, hill sized bumps, headaches and heartaches, but love is like that sometimes – worth the fight and being fulfilled up to the brim.
Please, don’t call me brave. What I am doing isn’t bravery. I want more for my life than what I settled for originally. I’ve chosen that road Robert Frost talked about. I don’t know if it’s made all the difference because I’m still creating it as I go.
Bravery means there was fear to overcome but I was too busy wanting to live a life (and keep it) to live it in fear.
The weekend is over and Dallas, Baton Rouge, and Minnesota are probably still on your mind in one way or another.
You want to forget but it’s still gnawing at you enough to sense you’re restless about it. But you don’t know what to do or how to start. You have to write that stuff down.
You have to write that stuff down.
I know what you’re thinking. Not everything is a writing exercise, Icess. True but not everything is about exercise either. Sometimes, writing is about healing and pouring something out of you onto paper so that it’s tangible.
Also, when writing through tragedy it doesn’t have to be perfect. You don’t have to publish. Other people don’t have to see it and you don’t have to share it. It’s just for you, to sort your thoughts.
I learned how powerful it was to write about the tragic moments in life when my dad died. I wrote awful, dark poetry, that will never be seen by another human being ever. But when the tears flowed and my heart hurt, that page was my security blanket. It helped me cope with death and what it meant in my life.
This is the easiest, low stress, basic way to write about the tragedy. Take a paper and pen and just write what you feel and what you think.
It doesn’t have to make sense.
There is no judgment.
It can be a grocery list if you want.
And you don’t have to do it for long.
Set 10 minutes on the clock and write about the first topic that comes to mind. Don’t stop for anything just keep going. Don’t hold back.
Write a poem
Poetry writing isn’t my forte but I dabble. Something about the poetic form is freeing. You can use figurative language (those similes and metaphors you don’t usually get to use). And…here’s the thing…
It doesn’t have to rhyme.
It doesn’t have a structure.
It could be about something small.
There are lots of different types of poems that could help you focus on your situation. One of my favorites and basic forms is an ode. This poetry form gives praise (or not if you want to be sarcastic) to an item, a thing, a feeling, or an experience.
This form uses lots of descriptions and imagery to give it heft. Here are some more tips http://www.powerpoetry.org/resources/writing-ode-poem
Writing prompt: Write an ode to a favorite memory. Be as descriptive as possible. For an added bonus, use the five senses in your description.
For me, dipping into science fiction or fantasy while writing about trauma has helped. The flexibility is endless with these forms. Science fiction doesn’t have to be the traditional form of spacemen and aliens. Think Doctor Who or Orphan Black or any comic book-based tv show. It can be basic on reality with some one aspect — time travel, cloning, etc — being extraordinary.
I like reading Kurt Vonnegut’s Harrison Bergeron for many reasons. At its core, I could be called science fiction if we’re looking for a simple genre. The story about how all people are made equal is dystopian, a sub-genre of sci-fi. It’s rooted in some reality but it usually deals with the ending of something, sacrificed for the common good. It brings up complex issues against the backdrop of fiction, allowing the writer to explore difficult topics.
Writing prompt: Write a short story where something human or an aspect of humanity had to be sacrificed to the continued life of the planet. Feel free to use time travel, cloning, a superhero (or two) or a complex equation to aid in your story.
This is probably one of my favorites.
I’ve written commentary for Huff Post Latino and the Guardian and it’s been great. It’s also the most direct way of getting out the pain and the hurt while focusing on logic or argument.
Note that this is different than freewriting which has few rules. Opinion writing follows a logical stream of thought and includes examples and facts to back up the argument.
What I love most about opinion writing is that it can take may forms. It could be the basic letter to the editor in your city newspaper to a creative non-fiction form to even a grocery list.
Writing prompt: Write a letter to someone or something that made you angry or treated you unfairly. Don’t forget to include examples add facts to back up your argument.
I hope this helps. I’m actually writing through my pain and have written some new pieces I’m excited to revise and submit to places.
Remember, on the page, no one can tell you what to do.
Want to take it a step further? Join my online writing class starting in a couple of weeks. I’ve got some great things planned and I’d love to see you there!